Lynda Mason, Cindy Jian “Shadows of Imagination” 4/10/2020

Lynda Mason, Cindy Jian “Shadows of Imagination” 4/10/2020

4/10/2020 – 5/31/2020

Introspective in nature and powerfully paradoxical, Lynda Mason’s art represents contradictions in contrast. Thick, expressive, black lines symbolize life’s contrasts; dreams vs nightmares, childhood vs adulthood, individuality vs conformity, introversion vs extroversion, natural vs artificial, and life vs death. Symbols of childhood individuality and dreams are often juxtaposed with the social-media-obsessed “adult” world of conformity and loneliness. This is humorously displayed as children are riding roller coasters of conformity until they are swallowed whole by tech-obsessed skeletons, symbolically stripping them from the enjoyment of the simple pleasures of childhood. The contrast of childhood dreams and serious, disturbing images of the loneliness and isolation of adulthood is a common theme in her paintings.

The powerful black and white expressionistic Zoo Selfie collection was inspired by the importance of species conservation. It features endangered species taking selfie pictures, ironically showing how the habits of a materialistic, narcissistic, social-media-obsessed culture may actually raise awareness about the natural world. The Nightmare Collection provides an intimate narrative into the relationship between our materialistic culture and technology obsession, loneliness and isolation. It is characterized by contradictions, such as the juxtaposition of the individual imagination and the collective, conformist world of isolation.

Cindy Jian was born in Guangzhou, China in 1991. She received her BFA and MA from the Maryland Institute College of Art in 2014. Jian has exhibited in the US and abroad including a two-person solo show at YiLong Gallery in Beijing, and group shows at Columbia University’s Neiman Gallery in New York and Radian Gallery in San Francisco. In 2018, Jian received a prestigious Emerging Artist award from QingCun Artist Residency naming her as one of top ten young artists to watch from China. Jian lives and works in San Francisco, California and Brooklyn, New York. 

Cindy Jian uses an experimental approach to capture the spontaneous and rapidly changing emotions of navigating city life. Her medium is acrylics, which is sometimes laced with glitter. These pieces reflect the state of her inner world, where the rhythm of everyday is processed through energy and flow. Her abstract paintings reveal moments of bliss as well as darkness, confusion, anger and grief. Cindy is interested in representing a multi-layered and complex modern psyche, where strength and softness, co-dependence and independence coexist.

Claude Ibrahimoff, Lisa Mee “Earthly and Celestial Illuminations” 3/1/2020

Claude Ibrahimoff, Lisa Mee “Earthly and Celestial Illuminations” 3/1/2020

3/1/2020 – 3/31/2020

Claude Ibrahimoff shows the accomplishment of a journey through different cultures, blending influences of Soviet and American cinema and artists like Rothko, Malevitch, Kandinsky, and Jasper Johns. Industrial paint, metal scraps, collage objects, advertising clippings are used in Claude’s puzzles and vagaries about time, symbols of transformation, perpetual movement and impermanence. Beyond the splendor of the colors and movement that fascinate your eyes, her art is rooted in social and political preoccupations as well as philosophical reflections on time, perception, and structures that underlie an apparent anarchy.

For Lisa Mee, serenity is the essence of her artwork. She creates paintings to help viewers tap into their own inner peace, freedom, bliss and presence. At the same time, she is also on her own path of finding serenity, an inner undisturbed peace independent of any circumstances. She believes art can act as an energetic vibration to soothe viewers and rebalance emotions. In addition to the paint medium, Lisa Mee integrates papers, fabrics and metals by careful sorting, cutting and assembling into works of art. Inspired by florals, landscapes and various formations found in the natural environment, she creates a cohesion by using unexpected materials in an aesthetic manner. By integrating metallic paints into her richly painted surfaces, her canvases recreate a stained glass effect of color-saturated and textured surfaces combined by careful layering. She strives to recreate luminosity on the surface of a canvas, creating an effect that is simultaneously striking, balanced and harmonious.

Opening Reception

Yvonne Lee & Krystine Beneke “Wild Bliss” 2/20/2020

Yvonne Lee & Krystine Beneke “Wild Bliss” 2/20/2020

11/2/2020 – 12/28/2020

Yvonne Lee is a California based artist who has been exploring the connection between nature and spirituality. She aims to capture the constant universal energy that is abundant in the present. “I was especially drawn to the idea of no boundaries, or elimination of human-made constructs that we use to define things, which will lead to greater understandings of the ultimate reality. Thus, I have focused on ways to express notions of transcendence and immanence in nature, spiritual states of being, and the spontaneity of the present yet continuous moment. In this body of work, I abstract expressions of such forms and beliefs”.

Krystine Beneke is an abstract artist based in Los Angeles. Her work is frequently on display in galleries in Southern and Northern California. Krystine relates her art to that of kaleidoscope images and depicts them as being analogous to the human journey. The kaleidoscope embodies reality and illusion and the artist thinks of her work as the intersection between these two points. Not only is it emblematic of life’s journey found between the beginning and end, but it promotes the concept of this intersection of reality and illusion as the place from which creativity is born. In order to take something which has never been conceived, one looks at what presently exists and asks “what could be?”

Opening Reception

Liam Ericson, Pavel Acevedo, Mike Gamble ”Brecciated” 1/5/2020

Liam Ericson, Pavel Acevedo, Mike Gamble ”Brecciated” 1/5/2020

1/5/2020 – 2/1/2020

The exhibition showcases artworks by three like-minded artists. All of their art is based on fragments of the human experience; our relationship to the universe, our history, and our present cultural state. But all these experiences stem from the same human bedrock. Hence the geologic term “brecciated”.  

*Breccia is a rock composed of sharp fragments embedded in a fine grained matrix of sand or clay. 

Mike Gamble is a printmaker and painter from Philadelphia, PA. He is the owner and operator of Left Handed Press in South Philly. He graduated from Tyler School of Art in 2010 with a BFA in Printmaking, and has since had his works showcased across the country. In 2015, Mike’s prints were included in an exchange in Oaxaca, Mexico, and he received First Prize in the Relevos Australianos Printmaking Tournament in Zacatecas. Mike’s most recent work consists of multi-layer reduction woodcuts created using a pointillist technique, meticulously incising pinpoint-sized dots into birchwood to form each layer of the print. These stippled layers give the prints a tonal quality not typical of a carved relief. The works are mainly figurative and surrealistic, focusing on connections between all living beings with one another and with the surrounding world. Identity and individualism are stripped away and dissected figures reveal the aspects of life universal among us all.

Pavel Acevedo began his formal art studies at the Rufino Tamayo Plastic Arts Workshop in Oaxaca City while he was an assistant and student of the Lithography studio. In 2006, he enrolled to complete his Bachelor’s Degree in visual arts at Fine Arts School of Oaxaca. In 2010, he moved to Riverside, California and started getting involved in printmaking projects with a social justice and educational awareness in communities of color throughout California. In 2015, Pavel opened his printmaking studio by collaboration with “The Desert Triangle Print Carpeta” located provisionally in Riverside. His artwork has been exhibited in different group shows between Mexico and the U.S. in public and private institutions as well individually.

”My artwork  took the relief print as a way to talk about my new house and life in the US and find myself in this country. The portrait turn into a portal where I can tell stories and try to find my word as an artist so I let roll every portrait from the people that I have carve or draw and let it grab stories of struggle, hope, fwys, cities, animals, houses, protests, signs, etc. With the only reason to not exist in between two cultures and just create a third land to exist that’s my goal. This images mean to not forgive where I’m coming from like anybody else that start in this American culture, so I let this portaits to host this new stories of struggle and hope so that can be related to them” (Pavel Acevedo).

Opening Reception

2019 Tendergold Archives

2019 Tendergold Archives

12/2019
Rema Mansi-Contradictions in Contrast 

Rema Mansi grew up with a love and passion for art, but decided to pursue other interests after graduating from New York University. Since she moved to the Bay Area four years ago, Rema has dedicated her time to pursue her childhood dream of becoming an artist, taught herself to draw, and further developed her talents under her mentor Momo Zaho.

11/2019
Valentina Campos, Zach Aaron Ben
Mamalas. The Spirits of Seeds

Valentina Campos is a third-generation Bolivian artist. Her artworks evoke the feminine mythologies of traditional seeds and the Andean agro-centric symbolism. Since 2000, she has been creating a series of paintings, entitles “Mamalas”, reflecting sowing rituals, the role of women in the Andean cosmo-vision, and the protection of biodiversity. Her illustrations have been published in various local stories, magazines, posters, and books. “May the Ayllu Blossom” is her first written children’s book. Valentina has worked with the NGO “Centro de Diseño Artesanal y Cooperativa Campesina, Arte Campo”, Santa Cruz, Bolivia, with Guarani, Chiquitano and Ayoreo communities, a project designed to assist in affirming indigenous art. Since 2005 she co-founded “Uywana Wasi” a Cultural Affirmation Learning Center outside Cochabamba, Bolivia.

Zach Aaron Ben was born into the largest farming community on the Navajo Nation reservation located in Shiprock, New Mexico. Following his father’s teachings, Zach collects natural pigments and uses them in his artwork, honoring the sacred art of sandpainting.

Growing up I had the honor of learning these magical teachings of nature’s aesthetics from my father. I had the opportunity to witness and participate in many Navajo ceremonies, specifically the Yei Bi Chei (Night Way), a nine-day, nine-night ceremony. Within the Yei Bi Chei ceremony my father and I sand painted sacred healing Deities. I witnessed the magical process of nature’s forces at work. This is where I learned the importance of natural pigments used. The pigments represented the Dine culture and the makeup of our physical world, we then use it to heal our people. Knowing this and many other teachings I followed my father into his art studio observing his paint strokes to the way he laid the sand onto the surface”.

10/2019
Eunice Liu, Natalie Jauregui Ortiz
Delicate Dichotomy

Eunice Liu marries traditional handmade mark-making with digital strategies to create drawings and animations that explore relationship between traditional content and digital artifice. Her recent drawing series Wuchang depicts Chinese iconic mythological gods 黑白無常, paying homage to the deities of justice and fortune in Chinese folk religion; rewards and punishes. Chinese contemporary culture inherits concepts of yin-yang and wen-wu (cultural attainment and martial valour) in consonance with Confucian moralization of good and evil. Her works reflect on the duality in indigenous Chinese traditions by analyzing its dichotomy of moral judgment and sensual-religious convention, which have persisted into the 21st century.

Natalie Jauregui Ortiz is a painter of modern life, based in New York and San Francisco. She creates paintings through layers of oil paint that create stories of the human condition. Her focus especially centers towards visualizing the female experience – of being in-between, beginning with her own process of individuation. bwtn sure, I don-t know, maybe is a story unfold to describe a place of ambiguity and uncertainty. It is a series of paintings that use motifs and figures to depict an intertwined togetherness that is held with delicacy and intent. It carries a landscape of ambivalence, from doubt to indecision, of one’s identity and reality. 

9/2019
Vincent James, Andri Yasinsky
Nature Landscapes

 

Vincent James is a lifelong musician and photographer who formally began focusing his creative eye on making photographic art with rural and urban nature in 2014. Based in Oakland, California, Vincent has extensive knowledge of not only the many locations for iconic landscape images throughout the San Francisco Bay Area, but also of weather patterns and the seasonal light at those sites. He has a technical comfort level that enables him to maximize his tools – his cameras and post-production software – in the service of his art. Vincent combines all of this with his artistic vision for capturing unique moments to create ethereal, moody, and often breathtaking images.”Visual Song” is a small collection of hits captured from some of his favorite locations in the San Francisco Bay Area and beyond.

Growing up in Ukraine, Andri Yasinsky was exposed to the yet untouched beauty of the Crimean and the Carpathian mountains, where he used to spend time on his own or with a group of like-minded friends, hiking and taking photos on his 35mm old Soviet film camera. It had a significant impact on his forming personality and eventually on his artistic pursuit as a landscape photographer. And so, expressing himself through the art of photography in the outdoors only feels right to Andri even until these days. One of the major themes across all of his work is a disappearing wilderness and our own perspective on it as if we were simply visitors here. Andri doesn’t simply take photos in a way to make them appear real; he displays the real in a way that reveals itself in the photo.

8/2019
Anas Etan
The Hidden Face

Through time, humans have created systems, mastered them, and become controlled by them. Robots with machine learning/thinking begin to roam, protect, threaten, and lead us to an “easier” life.

On the other hand, monsters and aliens lurk, hiding inside our bodies and also try to take control. When life’s face-to-face activities change to the virtual, we can lose our sense of reality. Identity becomes unclear, so it’s not easy to believe what is “real”. Luckily, we are still confident, open-minded, and optimistic by accepting new ideas and ways of life.

Through this dynamic, his works express and symbolize a new global, social, and cultural civilization that is mutating with the help of our new technologies.

7/2019
Muse Art Club
Golden Zodiac

Muse Art Club was founded by Alison Fang and a group of inspiring middle school and high school students on Nov. 12, 2016. The club aims to inspire more children to pursue art and implement its lessons into daily life. Golden Zodiac is a celebration of the traditional Chinese zodiac, where each painting represents one of the 12 horoscope animals.

 

6/2019
The Illusion of Control: Queer Landscapes

Suki Berry is a multidisciplinary artist and the spotlight of our pride month showcase. Her works invite the viewer to savor luscious color, unbridled movement, and authentic spontaneity. Underneath her indulgent landscapes, is a complex deconstruction of what it means to experience the joys and sorrows of queer femininity. Altering shape and composition is a way of challenging attitudes, fears, and unwritten rules of our environment. Her work speaks of places unseen, but at the same time comforting and familiar, like memories of a place where we feel we have been before but can’t quite recall.

05/2019
Sensaciones del Caribe

PAINTINGS BY ADRIAN GOMEZ
Adrián Gómez Guzmán (1962), a Costa Rican artist who lives and works in San José, Costa Rica, initiated his artistic endeavors at the age of 10 in the city where he was born, in the Cartago province, 22 km east of the capital city.

Being a self-taught artist since the beginning, he is his own harshest critic and remains receptive to all opportunities to learn. Figurative works of art of Adrián Gómez Guzmán from the very beginning included many themes among which were also traditional landscapes, still life and works painted in a traditional academic style.

However, it was not until 1980 that his individual exposition indirectly indicated his emerging interest in African descendant groups present in the Caribbean region of his native Costa Rica. The initial traces of gravitating towards this new theme were expressed in his paintings through presence of colorful details and representative characters. These elements initiated the henceforth present link to the topic of African descendancy and later prompted him to create his first series titled “Espacios de juego…” (“Playgrounds…”) with paintings that recreate the fellowship and joy characteristic of children’s playing especially on a swing or a hammock.

Later his quest to enrich his pictorial world resulted in creating two series “Mujeres del viento…” (“Women of the wind…”) and “Caribe Soy…” (“Caribe I am…”) which strengthened his imagery and ability to evoke feeling and understanding of what his “Caribe,” spaces of peace, harmony, color and play, all linked to the richness of the Caribbean color, means to him as an artist.

03/2019
Rebel Girls

Celebrating Women’s History Month this March will be artists Tanya Herrera and Sherri Lu. Herrera is Pyrographer and heat artist who has been burning pyrography in the traditional method for 9 years, 6 years on leather, and 4 years on bone. Lu is a visual artist and printmaker whose artwork primarily consists of linocuts: carving linoleum blocks and turning them into prints.

TANYA HERRERA

To Tanya Herrera, art is a natural part of life. The youngest of three, Tanya would inherit the art tools of her older sisters and brothers and would take to work on creating her visions. Her older brother inspired her to push past the bounds of societies norm and truly push herself to develop her interpretation of the world in visual form.

With a background as diverse as her skillset. Tanya utilizes her degree in Graphic Design and her fine-tuned eye for detail to produce unique pieces for each client she comes across.

Versed in a variety of self-taught techniques, Tanyas talents range from wood-burning of cityscapes, vibrant wedding invitations, mixed media pieces that capture the imagination, to pop culture-esque package designs that appeal to the senses.

Now, she is back in action. Striving as a knowledgeable creative who is confident in her craft. Yet all creative people need muses and influences. Tanya is not one to stray from an opportunity to collaborate with other artists. With a professional attitude in mind, she is always ready to work in a team environment.

LING SHERRI LU
Ling Sherri Lu is a visual artist and printmaker who currently resides in the Tenderloin district of San Francisco. Her artwork primarily consists of linocuts: caving linoleum blocks and turning them into prints.

 

Sherri was born and raised in New York City. She graduated from SUNY Geneseo with a Bachelor’s Degree in Film & TV Productions. She has previously edited the “Parts Unknown” CNN travel show starring the late Anthony Bourdain. After a series of life changing events, Sherri moved to the west coast and began living her dream as an artist in the fine arts. “And I gotta tell ya, the West coast really is the BEST coast!”

2/2019
Raw & Tender

In celebration of our Tendergold Gallery’s 1 year anniversary in February, IAMA will be bringing the spotlight back to our original inspiration, the Tenderloin. James Hutchison, an artist and resident of Tenderloin, will showcase a series of abstract paintings fueled with haunting imagery and passion. His work will be juxtaposed by sharp black and white photographs of the neighborhood and its people by Adriana Cuevas. Our exhibition, Raw and Tender, gives us a glimpse behind the curtains of a historical neighborhood well-known for its underground art scene and nightlife.

PHOTOGRAPHY BY ADRIANA CUEVAS
Adriana Cuevas is a Mexican photographer based in the San Francisco bay area.

“My passion goes to analog photography. I can spend hours in the darkroom creating images. There’s nothing that compares to the feeling of your vision coming to life on film.

I am interested in capturing people’s essence. A feeling, a gaze, an interesting face… And here I am ready to shoot!”

PAINTINGS BY JAMES HUTCHISON
James Hutchison is a painter living in the Tenderloin.
His work is a haunting mix of bright colors and violent imagery. He is painting in the tradition of Basquiat.

1/2019

“Adequate Images” by Anton Ermakov

Anton Ermakov is a self-taught painter working primarily in oil, splitting his time between figurative and landscape subjects. Based in Montreal, he has recently been included in shows held by the Society of Canadian Artists and the Federation of Canadian Artists, taking the Grand First Place Prize at the latter organization’s Annual International Representational Show for his painting “Embracing your Dreams Dunnigan.”

While the figurative work focuses on capturing thoughts and glances, the landscapes are more adventurous, meticulously layering abstract shapes in order to create highly stylized, boldly colored vistas that leave room for interpretation.